The CD’s last track—a haunting and abstract soundscape—is by drummer/ composer Dave Symington, who cofounded VAMS with Sam Sullivan (now Vancouver's mayor) in 1989 and is now a board member. Quadriplegic as the result of a diving accident at the age of 19, Symington met Sullivan after moving to Vancouver from Ontario in 1984. Symington was then working with an occupational therapist to develop Velcro gloves with attached drumsticks that would help him play the drums, which he had picked up in his teens. “The idea of VAMS just evolved between us,” says Symington. “We thought, ‘Wouldn’t it be cool if we could get back into music?’ so we started a band called Spinal Chord [in which Sullivan sang and played keyboards] and later released a CD and a music video. Then we realized that there had to be other people with disabilities who were musicians or wanted to be. We wanted VAMS to provide space and funding and opportunities for those people.”
Symington and Sullivan also began working with the George Pearson Centre (for adults with disabilities) and technicians at a studio at GF Strong Rehabilitation Centre to create adaptive devices that would allow musicians with significant disabilities to produce sounds on instruments. One of these was Sullivan’s keyboard set-up. “I don’t have the finger movement to play keyboard, so a lot of computer programming was necessary to let me use my keyboard as an input device,” Sullivan says. “I could run my hands along the keyboard and press the keys with the side of my wrist to trigger all sorts of different sounds.”
VAMS is renovating the GF Strong studio and equipping it with more state-of-the-art adaptive devices. “We’re always looking for devices to make things easier for people with significant disabilities to compose and record music,” says Kirk Duncan. “For example, we have an instrument called the Magic Flute. It’s supported with Apple software and allows people with little or no arm movement to create musical sounds. We believe strongly that music is a form of therapy as well as a source of enjoyment.”
Symington agrees whole-heartedly. “Some of the best moments of my life since my accident have involved music,” he says. “Communication between musicians can be really beautiful; magic happens. And it’s so amazing to see people who thought they could never do it with huge smiles on their faces from being involved in something creative.”
To listen to tracks from Strait Goods, visit www.vams.org. CDs are available for a donation of $25 or more.
Based in North Vancouver, Ron Forbes-Roberts is a freelance writer, music journalist and professional guitarist. He is a contributing editor of Acoustic Guitar and author of One Long Tune: The Life and Music of Lenny Breau.